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Nacho López
Nacho López (Ignacio López Bocanegra 1923–1986) was an important figure in the photojournalism of Mexico in the 20th century. Unlike the current of the time, he mostly rejected the creation of images that made Mexico exotic and preferred the photographing of the common people of Mexico City over that of the country’s political and social elite. He is credited for being the first in Mexico to work on photographic series, which he called “photo-essays” meant for publication in weekly pictorial magazines in the country. About half of his photographs were events staged by López designed to capture the reactions of bystanders. Although he was an active photojournalist for less than a decade in the 1950s, he was influential to the generations of photojournalists that followed him, with a collection of about 33,000 images now at the federal photograph archive in Pachuca, Hidalgo.
==Life==
Nacho López was born in Tampico, Tamaulipas, Mexico in 1923 with the full name of Ignacio López Bocanegra.〔(【引用サイトリンク】title= Nacho López )〕 He studied at the Instituto de Artes y Ciencias Cinemato-gráficas from 1945 to 1947. He learned photography principally from Manuel Álvarez Bravo along with influences from Francisco Monterde, Ricardo Razaetti, film director Alejandro Galindo and writer Xavier Villaurrutia .〔
He began his photography career at a time when most photographers were constrained by Mexico’s politics and the desire to create a unified Mexican identity, something he learned to reject under the Alvaréz Bravo. His other interests included architecture, ethnography, 1960s jazz and contemporary dance, marrying two contemporary dancers during his lifetime.
He died suddenly in 1986 in Mexico City, leaving behind a daughter Citlali Lopez, an anthropologist.〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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